A first pass at culling
Suggests your strongest frames and flags blinks, missed focus and near-duplicates before you start editing. You make every final call.
I’d use this →These are ideas we’re weighing up, not promises. None of them has a date, some will change on the way, and some may never ship. What photographers ask for decides the order, so if one of these would change your week, tell us.
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Help with the slow parts of the job. You stay in charge of every photo and every word that goes to a client.
Suggests your strongest frames and flags blinks, missed focus and near-duplicates before you start editing. You make every final call.
I’d use this →A suggested reply to a new enquiry, written from your past emails and your packages. Nothing sends until you have read and changed it.
I’d use this →A suggested cover photo and a short best-of set for each gallery, ready to swap out before you share it.
I’d use this →Type “how many weddings did I book from Instagram this year?” and get the answer from your own bookings and invoices.
I’d use this →Pick a few photos and get them cropped for posts and stories, framed around the people in them.
I’d use this →Fewer steps between an enquiry and a paid, booked shoot, and clearer numbers at tax time.
Clients pick a time, sign your contract and pay the deposit on one page, so a booking arrives already confirmed.
I’d use this →Set up a day of short sessions with fixed slots and a price, share one link, and watch it fill.
I’d use this →A friendly email a few days after the gallery goes out, asking happy clients for a Google review.
I’d use this →See which sources bring enquiries that turn into paid shoots, from the “How did you hear about me?” answers you already collect.
I’d use this →Log what a shoot cost you and the kilometres you drove, ready for your BAS and tax return.
I’d use this →Give the people you work with their own sign-in, with access to the shoots and galleries they need and nothing else.
I’d use this →More ways for clients to choose, share and order from the photos you deliver.
Clients make named lists like “Album” or “Retouch”, with a limit you set, and send you their choices when they are done.
I’d use this →Upload a highlight film to a gallery and it plays smoothly on any phone, with a cover frame you choose.
I’d use this →Share album spreads for your client to approve or comment on page by page, without a single email back and forth.
I’d use this →Tell us what would make your week easier. A real person reads every request, and the most-asked ideas move up the list.
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